Same Vowel, Different Pitch

To explain how the ear can recognize a vowel sound as the same vowel, even though it is sounded at different pitches, the idea of vocal formants is invoked. This is data from Benade showing that an "Ah" vowel involves a similar envelope of harmonics when sounded at different frequencies.

Stemple, et al., report a mean fundamental frequency for male voices of 106 Hz with a range from 77 Hz to 482 Hz. For female voices the mean was 193 Hz with a range from 137 Hz to 634 Hz. These averages were based on the production of a sustained vowel /a/ .

Fundamental frequencies for speech
Index

Voice concepts

Musical instruments

Reference
Benade
Ch. 19

Stemple, et al.
 
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Same Vowel, Different Pitch

To explain how the ear can recognize a vowel sound as the same vowel, even though it is sounded at different pitches, the idea of vocal formants is invoked. This is data from Backus showing that an "EE" vowel involves a similar envelope of harmonics when sounded at different frequencies. Formants occur at about 300 Hz and about 2300 Hz for each sound.

Stemple, et al., report a mean fundamental frequency for male voices of 106 Hz with a range from 77 Hz to 482 Hz. For female voices the mean was 193 Hz with a range from 137 Hz to 634 Hz. These averages were based on the production of a sustained vowel /a/ .

Fundamental frequencies for speech
Index

Voice concepts

Musical instruments

Reference
Backus

Stemple, et al.
 
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Distinguishing Vowel Sounds

To explain how the ear can recognize different vowel sounds, the idea of vocal formants is invoked. This is a conceptualization only; no scaling to the inner ear was done. The place theory suggests that the ear distinguishes pitches based on the location of maximum excitation along the basilar membrane of the inner ear. So the ear acts as a sound analyzer which can detect differences in harmonic content by the different amounts of excitation at different places along the basilar membrane. Since sustained vowel sounds differ primarily in their harmonic content, this offers a mechanism by which the ear can distinguish them.

Displays of vowel sounds vs time and frequency
Another example with plotted harmonic content
Distinguishability based on first two formants
Index

Voice concepts

Musical instruments
 
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Fundamental Frequencies for Speech

A number of studies of fundamental frequencies for speech have been conducted. Such frequencies are different for men and women and change with age. There are also differences between ethnic groups.

An interesting study of the speaking pitch of a group of women over a 48 year time span was made by Russell, Penny and Pemberton. They had high quality recordings from 28 young women between the ages of 18 and 25, made in 1945. They were able to find 15 of them in 1993 and recorded them reading the same passages. They found that the group mean speaking fundamental frequency in 1945 was 229.0 Hz and in 1993 was 181.2 Hz. From Russell, A., Penny, L. and Pemberton, C., Speaking fundamental frequency changes over time in women: A longitudinal study, Journal of Speech and Hearing Research 38, 101-109 (1995)

Age range
Frequency (Hz)
20-29
119.5
30-39
112.2
40-49
107.1
50-59
118.4
60-69
112.2
70-79
132.2
80-89
146.3

A study of the speaking frequency of different groups of men of different ages was conducted by Hollien & Shipp. They collected 25 men from each decade of age and asked all of them to read a specified paragraph from the same book. They concluded that there was a lowering of the speaking pitch through early and middle adulthood and then a rising frequency into later life. Hollien, H. and Shipp, T, Speaking fundamental frequency and chronological age in males, Journal of Speech and Hearing Research 15, 155-159 (1972).

Index

Voice concepts

Musical instruments

Reference
Benade
Ch. 19

Stemple, et al.
 
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